Miss Peggy Lee, 1920-2002


Peggy Lee at home with her cat, Baby

"I was in New York again, singing at Basin Street East and living at the Waldorf. One day the phone rang, and that voice said, 'Hello Peggy? Cary Grant.' "

" 'Oh, hello!' My hands were shaking. I managed to pull myself together..."

That was Miss Peggy Lee talking in her autobiography of the same name, about her thing with Cary Grant.

She gets him a table at Basin Street East, he plays the piano for her, she writes songs for him to record, they feed the pigeons in the park ... and years later, she tells him she can't bring herself to call him by name.

"When you walk into the room, everything stops for me," she confides to him. "After all these years, I don't address you by name – never call you Cary."

Well, that one was all quite platonic, Cary being married to someone else, but then there was "Roger," not his real name. Writes Peggy:

"I was in Las Vegas when I met him, and when I first saw that face, I knew it meant trouble, but I also knew there was no other choice. "

The veil is swiftly drawn on "Roger," and soon there is another face amid the pages, that of her late husband, guitarist Dave Barbour.

"It's a fact that I used to spend as much time looking at David as I did looking at the new house. What a magnificent face! I used to think he was a cross between Cary Grant, Abraham Lincoln, and Jesus. Our songs were Duke Ellington's 'Perdido' and 'Warm Valley.' "

Harder to face was Benny Goodman, a momentary admirer with whose band she became a star back in the 1940s, when she was in her 20s. It wasn't hard getting hired.

"All he said was, 'Come to work and wear someting pretty.' " But then Benny cooled off on her when she tried to sing "Skylark" while inadvertently taken drunk.

Lee writes of Bing Crosby, Frank Sinatra, Robert Mitchum, Ronald Reagan, Danny Thomas, Robert Preston, Rudolf Nureyev, Mel Powell, Count Basie, Gordon Jenkins, Johnny Mandel – only a few of the famous faces (by no means all of them male) that fell under her strangely poised gaze, among the millions who sucumbed to the strangely poised voice.

But she kept the most special place for Charlie, who came to he side as the honors and the years gathered about her head.

"Charlie was an IPPV machine," she said. "That's an intermittent positive pressure breathing mahine. I had to breathe with it to keep expanding my lung and aerating it," Lee recalled. "I took it on the road. I had two of them.

"I used to have to take five treatments a day." This was during the 1970s, after a bout of double pneumonia. She gave up the machines toward the end of that decade, but another collapse revealed a heart condition, diabetes and Meniere's disease, a condition of the inner ear. Temporary blindness ensued.

But Miss Peggy Lee refused to retire and kept right on touring. In 1985, she suffered a heart attack while appearing in New Orleans, underwent a double heart bypass, and developed a staph infection.

It was her lifelong good friend Sinatra who sent a plane to bring her back to L.A. so she could recuperate in her splendid house atop a hill in Bel-Air.

There, in the company of her staff and her cat, Baby, she got herself back together. Since she couldn't entertain at the little dinners she likes to give, the cat, a silver chinchilla, was happy to take over.

"One night I was a little late getting dressed and I came out and she had the entire group in a circle while she did her little tricks," Lee said with admiration.

"She stands on her hind legs and walks, and she leaps into the air and does a little twirl, and she can walk around in Baccarat crystal without disturbing anything."

 

 

Text and photographs by Tony Gieske

Tony Gieske has been reviewing jazz and occasionally playing it on his cornet since the 1950s, when he wrote the jazz column for the Washington Post. Now he works for the Hollywood Reporter, where his reviews and photographs, such as these, appear regularly.The photographs are available as prints or as scans by sending an e-mail to grnskl@earthlink.net. More jazz stuff can be seen by clicking on the links beneath.

 

 

Jumpin' in the Boneyard: The prelude

The night they remembered Woody

Woody remembers Woody

Woodchoppin' for the old Woodchopper

The blue flame goes out

Riding with the boys on the Count Basie bus

A mockingbird sang on Citrus Place: Annie Ross

Melissa Manchester's voice does everything she asks

Earthy delights with the Bricktop of the blues

Uan Rasey: Play it reverently

Young Jazz Giants: Newsy and juicy

A taste of the new Brownie, Maurice Brown

Hank Jones: Not a minute to waste

Horace Silver becomes more spiritual

Take your time, Sister D

Gerald Wilson reveals the secret of bebop

Teddy Edwards: 'You ain't done nothing but play great.'

No sun, no day: Sun Ra

Tiny Grimes: 'I never could afford the other two strings'

'Ain't that a bitch!' said Jay McShann

Woof of melancholy, warp of jazz

'Pop, can you play this thing?' Stacy asks Jimmy Rowles

Hamp's last stand

Hamp's last stand: The outtakes

Final flight

'I never wanted a band,' said Marshal Royal

Twinkly but unblinking: Lorraine Feather

Pronounced john-gear-off

Miss Peggy Lee, 1920-2002

The real Count

'A little trumpet player from down in Dayton named Snooky'

Sweets Edison: Death of a Mainstay

Hubbard in the hood

With abandon but chops: DDB

Dwight Trible, kick-ass holy man 

'I'm Roy Haynes, Dammit!'

High kicks and belly blows: James Carter

The accursed Coltrane

Jazz Fusion Is Not Dead: Billy Cobham

Brookmeyer: Soft spoken but hard core.

Snakes in the Clover: Steve Lacy

Sam Rivers: Like Bartok rocking out

Les Paul, Solid Body

Billy Higgins: We're really blessed

A night full of deep things: Charles Lloyd

Death of the horse whisperer

Talking about Chet Baker

A visit from the Poinciana Kid

 Adieu to Art, a Euro-gentleman of jazz

Blues for Bags, 1923-99

A night with the Florence nightingales 

 An ancient afternoon with Dizzy

Bill Berry's Own Private Ellington

A Bowl full of bebop

A blessing blows into town

Blowing with Buckaroo Banzai

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